Killing Heidi Mp3 Download
On the strength of two strong rock anthem singles and the group's vivacious dreadlocked teenage female singer, Killing Heidi emerged as the act dominating the Australian sales charts at the turn of the new Millennium. Like every 'overnight sensation,' Killing Heidi arrived with an important gestation period. Singer Ella Hooper and her guitar-playing older brother Jessie grew up in the small Violet Town (population approximately 2,000), a good day's drive from both Melbourne and Sydney. They spent their formative years listening to their drama and music teacher parents' record collections (Bob Dylan, Van Morrison, Joni Mitchell). The local radio offered few meaningful alternatives. As adolescence set in the national government-run youth network, Triple J had arrived in the area, exposing Ella and Jessie Hooper to a world of new sounds.
Jessie discovered Nirvana and Smashing Pumpkins. Ella gravitated towards Hole and Veruca Salt. American Thighs was the first CD she bought. Brother and sister started jamming at home, and in 1996, the pair played an acoustic gig on the city lawns at the Violet Town arts festival. Ella was 13, Jessie 15. Their performance, including two songs Ella had written, made an impression on a local studio owner who offered the Hoopers free studio time. With school friends acting as rhythm section, they recorded those originals and submitted the results in a Triple J-sponsored competition seeking to unearth new talent.
They won their section. With their song 'Kettle' gaining national (non-commercial) Triple J airplay, Ella and Jessie juggled with attending school and beginning to play serious gigs. Producer Paul Kosky was inspired by hearing 'Kettle' on the radio to check out the group at an outdoor festival. Working on records by Clouds, Kate Ceberano, and Crowded House (Woodface), Kosky had become frustrated with watching the music leave his studio and disappear in the hands of record companies.
He wanted to find an act to manage as well as produce. He decided on Killing Heidi. The first mainstream single didn't appear until August of 1999. By then the experienced rhythm section of Adam Pedretti on drums and Warren Jenkin on bass had been installed, months had been spent developing the music in the studio, and the band had been signed to Roadshow Music, the independent Australian home of Savage Garden. That first single, 'Weir' (a tale of life after high school), was still charting nationally three months later when the second single, 'Mascara' (about self-image), leapfrogged it into the national number one position, which 'Mascara' held four weeks. The debut album Reflector entered the chart at number one and went double platinum in Australia.
Ed Nimmervoll.
Killing Heidi. Add to Favorite.Killing Heidi are an Australian rock band from Violet Town, Victoria. The band, which went on hiatus in 2006, is most widely known for its multi-platinum album Reflector, released in 2000. In 2016, the band announced they were reforming for their 20th anniversary.The nucleus of Killing Heidi was singer/songwriter Ella Hooper and her older brother, guitarist Jesse Hooper. They grew up in Violet Town, a small Victorian country town, with a population of approximately 2,000 where their parents worked as music and drama teachers.They started jamming together at home; Ella singing while Jesse played the guitar. They played an acoustic gig together at the Violet Town Arts Festival in 1996, when Ella was 13 years old.
Bent Records label owner and local record studio owner, Jamie Durrant, offered them some time in a studio with a couple of schoolmates as the rhythm section. They submitted these recordings into the Triple J Unearthed competition in 1996 and the track 'Kettle' won the competition for their area of rural Victoria. 'Kettle' was written by Ella Hooper; Brian Walton and Jessie Hooper added some guitar parts later.The name 'Killing Heidi' came from the band members generating two lists before their first gig; one filled with 'soft' words, one with 'harsh' words. Killing was chosen as the harsh, Heidi the soft.
Killing Heidi Mp3 Download Mp3
According to the band, the name basically means 'the end of innocence'.Producer Paul Kosky who had worked with Crowded House, Rage Against the Machine, Kate Ceberano, and The Clouds was looking for a band to manage and sign to his new recording label Wah Wah Music. He decided to check out a very basic live performance by Killing Heidi. He developed the band from the ground up for the next two years working on songwriting, song structure and overall direction of the music. He became the manager of the band and arranged a contract with Roadshow Music (who had a contract with Savage Garden) for his label, Killing Heidi had also acquired a new rhythm section (which Kosky sourced and introduced to Killing Heidi) with Adam Pedretti (ex-Non-Intentional Lifeform) on drums and Warren Jenkin on bass.
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They recorded the rest of the first album in 1998.Killing Heidi's first single 'Weir' was released in August 1999 and reached #6 on the ARIA charts (and Platinum sales) by the end of 1999. The second single 'Mascara', about self-image and individuality, was released in December 1999 and reached the top of the Australian charts on January 30th 2000, which was Ella's 17th birthday. it stayed at #1 for three weeks, also achieving Platinum status.The band's debut album Reflector was released in early 2000 and debuted at #1, quickly becoming the fastest-selling album in Australian music history. The album spent seven weeks at #1 on the ARIA charts, and spawned two further singles: 'Live Without It' and 'Superman Supergirl'.Reflector eventually sold over 350,000 albums in Australia, earning 5x platinum status and Killing Heidi won four ARIA Music Awards in October 2000.The band's momentum halted when a cyst was found on Hooper's vocal cords and she underwent an operation in 2001. Her voice was slow to recover, which 'destroyed any confidence Ella Hooper had in her voice.' The band recorded its second album Present, despite Hooper's continuing problems with her vocal cords.
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This album was not as successful as its predecessor, selling only 50,000 copies and failing to make the top ten of the Australian album charts.